The wallpaper from which this design is drawn, is most likely of British Edwardian origin, but stylistically is very representative of the era’s passion for oriental design, which retained a close connection to nature, simplicity & harmony. The trailing blossom & repeating birds are elements commonly found in early, h&-painted chinoiserie, & the use of traditional surface printing retains a tactile quality that subtly offers more to the discerning eye than a conventionally mass-produced paper. It once adorned the walls of the Grey Room at Gunby Hall in Lincolnshire, a large country house that was bequeathed to the National Trust in 1944.